Read online Routledge Studies in Human Geography: The Production and Consumption of Music in the Digital Age 58 (2016, Hardcover) by in DOC, FB2, DJV
9781138851658 1138851655 Songs remain the same, but how and where they are made, shared and experienced is changing. The roles and practices of record labels, independent musicians and music professionals are evolving and a new interconnected sonic ecosystem of cities, scenes, venues, festivals, record shops, and online communities is emerging. The Production and Consumption of Music in the Digital Age brings together 22 international scholars to identify and make sense of these developments. Drawing on research from a diverse range of North American and European cities such as London, Los Angeles, Amsterdam, Berlin, Pittsburgh, Toronto, Paris, and Indianapolis, this volume helps readers understand how the production and consumption of music is changing at multiple scales - from global firms to local entrepreneurs; and, in multiple settings - from established clusters to burgeoning scenes. The Production and Consumption of Music in the Digital Age is divided into six interrelated sections and offers an engaging and immersive look at today's central players, processes, and spaces of music production and consumption. Students of geography, business, economics, and cultural studies will find this volume helpful in answering questions about how and where music is produced, financed, marketed, curated and distributed in the digital age., The economic geography of music is evolving as new digital technologies, organizational forms, market dynamics and consumer behavior continue to restructure the industry. This book is an international collection of case studies examining the spatial dynamics of today's music industry. Drawing on research from a diverse range of cities such as Santiago, Toronto, Paris, New York, Amsterdam, London, and Berlin, this volume helps readers understand how the production and consumption of music is changing at multiple scales - from global firms to local entrepreneurs; and, in multiple settings - from established clusters to burgeoning scenes. The volume is divided into interrelated sections and offers an engaging and immersive look at today's central players, processes, and spaces of music production and consumption. Academic students and researchers across the social sciences, including human geography, sociology, economics, and cultural studies, will find this volume helpful in answering questions about how and where music is financed, produced, marketed, distributed, curated and consumed in the digital age., This volume examines the evolving conditions and spatial dynamics of music production, promotion, distribution, and consumption in the contemporary digital age. It explores how new technologies, organizational forms, market dynamics and consumer behavior are restructuring the music industry at multiple scales (from global firms to local entrepreneurs) and in multiple spatial settings (from established clusters and burgeoning scenes to online environments), and charts the interconnected sonic ecosystem of cities, scenes, venues, festivals, record shops, and online communities that has emerged in the wake of the "MP3 Crisis."
9781138851658 1138851655 Songs remain the same, but how and where they are made, shared and experienced is changing. The roles and practices of record labels, independent musicians and music professionals are evolving and a new interconnected sonic ecosystem of cities, scenes, venues, festivals, record shops, and online communities is emerging. The Production and Consumption of Music in the Digital Age brings together 22 international scholars to identify and make sense of these developments. Drawing on research from a diverse range of North American and European cities such as London, Los Angeles, Amsterdam, Berlin, Pittsburgh, Toronto, Paris, and Indianapolis, this volume helps readers understand how the production and consumption of music is changing at multiple scales - from global firms to local entrepreneurs; and, in multiple settings - from established clusters to burgeoning scenes. The Production and Consumption of Music in the Digital Age is divided into six interrelated sections and offers an engaging and immersive look at today's central players, processes, and spaces of music production and consumption. Students of geography, business, economics, and cultural studies will find this volume helpful in answering questions about how and where music is produced, financed, marketed, curated and distributed in the digital age., The economic geography of music is evolving as new digital technologies, organizational forms, market dynamics and consumer behavior continue to restructure the industry. This book is an international collection of case studies examining the spatial dynamics of today's music industry. Drawing on research from a diverse range of cities such as Santiago, Toronto, Paris, New York, Amsterdam, London, and Berlin, this volume helps readers understand how the production and consumption of music is changing at multiple scales - from global firms to local entrepreneurs; and, in multiple settings - from established clusters to burgeoning scenes. The volume is divided into interrelated sections and offers an engaging and immersive look at today's central players, processes, and spaces of music production and consumption. Academic students and researchers across the social sciences, including human geography, sociology, economics, and cultural studies, will find this volume helpful in answering questions about how and where music is financed, produced, marketed, distributed, curated and consumed in the digital age., This volume examines the evolving conditions and spatial dynamics of music production, promotion, distribution, and consumption in the contemporary digital age. It explores how new technologies, organizational forms, market dynamics and consumer behavior are restructuring the music industry at multiple scales (from global firms to local entrepreneurs) and in multiple spatial settings (from established clusters and burgeoning scenes to online environments), and charts the interconnected sonic ecosystem of cities, scenes, venues, festivals, record shops, and online communities that has emerged in the wake of the "MP3 Crisis."